Lives of the Saints, by Nancy Lemann. It is one of those books that’s been on my TBR list for such a long time that I don’t know how it got there. I just remember it was always one of the pressing ones. The ones that pushed and pushed and pushed to be read.The cover is not attractive. You know how I am about book covers. Someone had given away the ending to me and I was not particularly inclined to read it with all my presuppositions.
…I love when my negative assumptions are turned on their head.
I love every sentence.
The songs and poems I love best are the ones without waste. Every word has purpose, every single one. That’s this book. Every sentence changes it. Every little letter… the offhand use of the word fondly—it frames a character. Every sentence moves the story around, not FORWARD exactly since it’s less plot and more atmosphere, but it moves----left to right, as though we’re driving on a twisty road on the side of a mountain, and where we were headed wasn’t where we ended up. Lemann presents Louise’s voice in little disorganized pockets, never one long drawn-out passage. It’s fascinating.
When I read I dog-ear pages with any passages I want to go back and write down and keep… it got to the point with this one where I had to stop, because I would have folded over every page in the book. I will just have to buy it, I thought, and memorize it.
It was hilarious. It was tragic. It’s narrated by a young woman named Louise Brown who has returned to Louisiana after graduating from a northern college (anyone who has ever loved their hometown will understand Louise’s feelings for New Orleans; the book is almost a love letter to the city). She loves a man named Claude Collier.
A lot of people who read this book fall in love with Claude. I am more interested in Louise, and Claude interests me within the margins of Louise: how he talks to her, how he reacts to her, how he thinks about her. They are perfect foils for each other. I like couples that fit together like puzzle pieces, ones who mix together so ideally that producing such results would be impossible with anyone else. What makes a great character couple is not individual characterizations but how two people work together (see: Ned Henry—Verity Kindle; Charles Fairford—Flora Poste; Peter Wimsey—Harriet Vane). FOILS. Puzzle pieces.
I am now incredibly fond of the Collier family and all their friends. Claude is a riot. I like Louise. She is the perceptive observer relaying facts and sensations to her audience, and as such she is perfectly written. Hers is an organic response to the situations surrounding her. She calls things as she sees them.
It’s so funny. Burst-out-laugh and sudden-snort and silent-chuckle funny. It’s heartwrenching. Through Louise you love everyone; but she can’t save anyone, whether it be from physical or emotional or self-inflicted harm. What a beautiful little book.
That’s all I want to give away. It is not exactly a book you read for the plot. The love is for the characters and the words. And it’s not a book you can be told to love; you have to just open it up and fall in.
I love it so much I don’t want to read Nancy Lemann’s other books. This happens to me every once in a while. It is great fear… fear that the other ones will overexpose her writing style, will cheapen it, take away the uniqueness of this one and make it common. I would have loved Lives of the Saints no matter how it ended; but if the characters show up in other novels, as I have gathered some do, and they do not make everything BETTER—because the end of this novel is not rainbows and butterflies—then I think it will make me hate the whole story. IT IS THAT KIND OF BOOK. And yet. And yet! I must read them!!! Because she is that sort of author.
Claude was still sitting in the kitchen, fixing drinks for whoever came in and striking up weird conversations with them. He was talking to the undertaker.People on a page, living and breathing.
It happened that the undertaker was a darkly glamorous twenty-nine-year-old man born in Paris. The funeral home was the family business, generations-old, elaborate and sumptuous, and the city’s oldest, a society funeral home. They were a society family. Claude had beckoned the undertaker into the kitchen, saying he wanted to “talk shop.” Then he asked the undertaker what kind of funeral he would like to have himself, after seeing so many other people’s funerals, and what kind of burial he would like to have. The glamorous undertaker said, “I would like to be exploded.”
“You mean, exploded, like with dynamite, at the funeral?” said Claude.
“Yes.”
This was Claude’s kind of person.
I went back into the garden to brood. I absented myself with some frequency that day in order to go off and brood.


















I'M FEELING GOOD... I FEEL SO GOOD, I FEEL SO GOOD.
Starring my brother Wes"Michael Bublé Jackson"ley. I CAN'T WAIT to show this video to his future wife.





